An accomplished director with a diverse portfolio spanning classical adaptations, contemporary drama, and musical theatre, I have led productions across professional, academic, and youth theatre settings.

 

My professional directing credits include Sweeney Todd (Seattle Musical Theatre), Closer, The Blue Hour, Reefer Madness, and Trojan Women 2.0 (Atlas Theatre), American Hamlet (Cockroach Theatre), and The Memory of Water and Anna Karenina (both Critic’s Choice selections by Seattle Times, Seattle Weekly, and The Stranger).

 

I have also directed original works and adaptations for venues such as Rainier Valley Cultural Center, Open Circle Theatre, and Steeplechase Productions.

 

In academic and youth theatre, my work includes Noises Off! (Southern Utah University), A Lie of the Mind (Ohio University), and Wait Until Dark (College of Southern Nevada), as well as beloved titles such as Into the Woods, Avenue Q, and Midsummer Night’s Dream at institutions including Studio East and Issaquah Middle School.

 

My productions consistently emphasize ensemble storytelling, clear textual interpretation, and inventive staging tailored to both performer and audience.

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Beyond directing, I have served as a dialect coach on productions such as Brighton Beach Memoirs, A Streetcar Named Desire, and Dancing at Lughnasa, and as a fight choreographer for Les Misérables (Studio East) and Death of a Salesman (Montana Repertory Theatre).

 

My work has garnered numerous Critic’s Choice honors from The Seattle Times, Seattle Weekly, The Stranger, Las Vegas City Life, LV Weekly, and LV Review-Journal, with The Blue Hour also selected as “Best of Fringe” at the Vegas Fringe Festival.